Agustín de Anda
ActingCareer Statistics & Market Influence
Analyzing the cinematic journey of Agustín de Anda reveals a career defined by diverse artistic exploration. With a total of 9 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Drama
The majority of Agustín de Anda's filmography leans towards the Drama genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 0% Success Ratio (movies rated above 6.5), Agustín de Anda remains a reliable draw for studios. Their peak performance was recorded in La cárcel de Cananea, which continues to be the benchmark for their career rating-wise.
Best Agustín de Anda Movies Ranked
Must-watch hits from Agustín de Anda's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Agustín de Anda.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 1961 | Remolino | - | Flop | Similar → |
| 1960 | La cárcel de Cananea | Ramón | Average | Similar → |
| 1960 | Los desarraigados | - | Flop | Similar → |
| 1959 | Quietos todos | - | Flop | Similar → |
| 1959 | Estampida | Agustín González | Flop | Similar → |
| 1958 | La máscara de carne | - | Flop | Similar → |
| 1957 | Las manzanas de Dorotea | - | Flop | Similar → |
| 1956 | Bataclán mexicano | - | Flop | Similar → |
| 1953 | Frontera norte | Bolero / policía secreto | Flop | Similar → |
Agustín de Anda - Frequently Asked Questions
What is the best movie of Agustín de Anda?
According to audience ratings, the best movie starring Agustín de Anda is "La cárcel de Cananea" with a rating of 5.6/10.
How many movies has Agustín de Anda acted in?
Agustín de Anda has been featured in at least 9 major films throughout their career.
What are some other popular movies by Agustín de Anda?
Other notable films include "Estampida", "Quietos todos", and "Remolino".

