Astrid Assefa
ActingCareer Statistics & Market Influence
Analyzing the cinematic journey of Astrid Assefa reveals a career defined by diverse artistic exploration. With a total of 10 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Drama
The majority of Astrid Assefa's filmography leans towards the Drama genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 20% Success Ratio (movies rated above 6.5), Astrid Assefa remains a reliable draw for studios. Their peak performance was recorded in Raskortet, which continues to be the benchmark for their career rating-wise.
Best Astrid Assefa Movies Ranked
Must-watch hits from Astrid Assefa's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Astrid Assefa.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 2022 | The Famished Road | Madame Koto | Flop | Similar → |
| 2022 | Beck 46 - The Crying Cop | - | Average | Similar → |
| 2016 | Canine | Mireya | Average | Similar → |
| 2014 | Raskortet | Self | Super Hit | Similar → |
| 2014 | Cool Kids Don't Cry | Afida | Hit | Similar → |
| 2013 | IRL | Rektor | Average | Similar → |
| 2011 | Stockholm East | Sköterska | Average | Similar → |
| 2002 | Tolken | - | Flop | Similar → |
| 1997 | 9 millimeter | Rosa | Flop | Similar → |
| 1985 | Änglaverket | Paula | Flop | Similar → |
Astrid Assefa - Frequently Asked Questions
What is the best movie of Astrid Assefa?
According to audience ratings, the best movie starring Astrid Assefa is "Raskortet" with a rating of 8.7/10.
How many movies has Astrid Assefa acted in?
Astrid Assefa has been featured in at least 10 major films throughout their career.
What are some other popular movies by Astrid Assefa?
Other notable films include "Cool Kids Don't Cry", "IRL", and "Beck 46 - The Crying Cop".




