Daniel Reardon
ActingCareer Statistics & Market Influence
Analyzing the cinematic journey of Daniel Reardon reveals a career defined by diverse artistic exploration. With a total of 8 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Animation
The majority of Daniel Reardon's filmography leans towards the Animation genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 38% Success Ratio (movies rated above 6.5), Daniel Reardon remains a reliable draw for studios. Their peak performance was recorded in My Left Foot: The Story of Christy Brown, which continues to be the benchmark for their career rating-wise.
Best Daniel Reardon Movies Ranked
Must-watch hits from Daniel Reardon's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Daniel Reardon.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 2017 | Wave | Doctor | Flop | Similar → |
| 2009 | The Man Inside | - | Flop | Similar → |
| 1990 | The Canterville Ghost | - | Flop | Similar → |
| 1990 | A Tale of Two Cities | - | Flop | Similar → |
| 1989 | My Left Foot: The Story of Christy Brown | Tony | Super Hit | Similar → |
| 1988 | Les Misérables | - | Flop | Similar → |
| 1988 | The Phantom of the Opera | Raoul (voice) | Hit | Similar → |
| 1987 | Ghost Stories | - | Hit | Similar → |
Daniel Reardon - Frequently Asked Questions
What is the best movie of Daniel Reardon?
According to audience ratings, the best movie starring Daniel Reardon is "My Left Foot: The Story of Christy Brown" with a rating of 7.5/10.
How many movies has Daniel Reardon acted in?
Daniel Reardon has been featured in at least 8 major films throughout their career.
What are some other popular movies by Daniel Reardon?
Other notable films include "Ghost Stories", "The Phantom of the Opera", and "Wave".




