
François Weyergans
DirectingAbout François Weyergans
François Weyergans (2 August 1941 – 27 May 2019) was a Belgian writer and director. His father, Franz Weyergans, was a Belgian and also a writer, while his mother was from Avignon in France. François Weyergans was elected to the Académie française on 26 March 2009, taking the 32nd seat which became vacant with the death of Alain Robbe-Grillet in 2008. He started film studies at the IDHEC (Hautes Études Cinématographiques), where he came to love the films of Robert Bresson and Jean-Luc Godard, among others. He soon began to write for Cahiers du cinéma and directed his first film in 1961, on Maurice Béjart, which led to his expulsion from the school as students were banned from making professional films. After having been through some psychoanalysis, he published a satirical account of his treatment in a novel called Le Pitre (1971), which attracted some critical notice and won the Roger Nimier Prize. His second novel in 1981 was Macaire le Copte. This won the Prix Rossel in his native Belgium, as well as the Prix des Deux Magots in France. From then on, Weyergans devoted himself entirely to writing, spending whole nights working from 11 p.m. until noon. His subsequent works—mostly of an ironic autobiographical nature—also won literary prizes, including the "Prix Méridien des quatre jurys" in 1983 for Le radeau de la Méduse and the Prix Renaudot in 1992 for La démence du boxeur. Most recently, his Trois jours chez ma mère awarded him the Prix Goncourt in 2005. In this, he satirises his own famous difficulties in delivering a promised manuscript in time. In the process he creates a "Russian doll" type structure where he (Weyergans) writes as a writer, Weyergraf, who finds all sorts of distractions or reasons to avoid writing a book called Trois jours chez ma mère. He does this largely by inventing an author called Graffenberg, who in turn invents another author, Weyerstein, who sketches out a possible structure—but he keeps getting waylaid by humorous meditations on his own life, love (or just encounters), family, films and multiple enthusiasms and interests. Source: Article "François Weyergans" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Career Statistics & Market Influence
Analyzing the cinematic journey of François Weyergans reveals a career defined by exceptional commercial consistency. With a total of 1 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Documentary
The majority of François Weyergans's filmography leans towards the Documentary genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 100% Success Ratio (movies rated above 6.5), François Weyergans remains a reliable draw for studios. Their peak performance was recorded in Bresson: Without a Trace, which continues to be the benchmark for their career rating-wise.
Best François Weyergans Movies Ranked
Must-watch hits from François Weyergans's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of François Weyergans.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 1965 | Bresson: Without a Trace | Self - Interviewer | Super Hit | Similar → |
François Weyergans - Frequently Asked Questions
What is the best movie of François Weyergans?
According to audience ratings, the best movie starring François Weyergans is "Bresson: Without a Trace" with a rating of 9.0/10.
How many movies has François Weyergans acted in?
François Weyergans has been featured in at least 1 major films throughout their career.
