Gisèle François
ActingCareer Statistics & Market Influence
Analyzing the cinematic journey of Gisèle François reveals a career defined by diverse artistic exploration. With a total of 7 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Drama
The majority of Gisèle François's filmography leans towards the Drama genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 29% Success Ratio (movies rated above 6.5), Gisèle François remains a reliable draw for studios. Their peak performance was recorded in The Cheat, which continues to be the benchmark for their career rating-wise.
Best Gisèle François Movies Ranked
Must-watch hits from Gisèle François's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Gisèle François.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 1951 | Life Is a Game | Director's daughter | Flop | Similar → |
| 1950 | Le Trésor des Pieds-Nickelés | Solange | Flop | Similar → |
| 1949 | The Cheat | (uncredited) | Hit | Similar → |
| 1949 | The Red Angel | - | Flop | Similar → |
| 1949 | Mission in Tangier | Young flower seller at the Cabaret | Average | Similar → |
| 1949 | Scandal on the Champs-Élysées | (uncredited) | Average | Similar → |
| 1949 | Between Eleven and Midnight | (uncredited) | Hit | Similar → |
Gisèle François - Frequently Asked Questions
What is the best movie of Gisèle François?
According to audience ratings, the best movie starring Gisèle François is "The Cheat" with a rating of 6.8/10.
How many movies has Gisèle François acted in?
Gisèle François has been featured in at least 7 major films throughout their career.
What are some other popular movies by Gisèle François?
Other notable films include "Between Eleven and Midnight", "Mission in Tangier", and "Scandal on the Champs-Élysées".




