
Jonathan Anderson
Costume & Make-UpAbout Jonathan Anderson
Jonathan Anderson is an Irish fashion designer and the founder of JW Anderson. Anderson is known for his eponymous label and having served as the creative director of Spanish luxury house Loewe. Anderson was born in the town of Magherafelt in Northern Ireland in 1984. He is the son of Willie Anderson, who played international rugby for Ireland between 1984 and 1990. His mother Heather Buckley worked as a secondary school teacher.
Career Statistics & Market Influence
Analyzing the cinematic journey of Jonathan Anderson reveals a career defined by diverse artistic exploration. With a total of 2 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Documentary
The majority of Jonathan Anderson's filmography leans towards the Documentary genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 0% Success Ratio (movies rated above 6.5), Jonathan Anderson remains a reliable draw for studios. Their peak performance was recorded in WHO IS THE PAINTER?, which continues to be the benchmark for their career rating-wise.
Best Jonathan Anderson Movies Ranked
Must-watch hits from Jonathan Anderson's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Jonathan Anderson.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 2025 | Diverso: The Making of Queer | Self | Flop | Similar → |
| N/A | WHO IS THE PAINTER? | Himself | Flop | Similar → |
Jonathan Anderson - Frequently Asked Questions
What is the best movie of Jonathan Anderson?
According to audience ratings, the best movie starring Jonathan Anderson is "WHO IS THE PAINTER?" with a rating of 0.0/10.
How many movies has Jonathan Anderson acted in?
Jonathan Anderson has been featured in at least 2 major films throughout their career.
