
Kawayan de Guia
ActingCareer Statistics & Market Influence
Analyzing the cinematic journey of Kawayan de Guia reveals a career defined by diverse artistic exploration. With a total of 5 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Documentary
The majority of Kawayan de Guia's filmography leans towards the Documentary genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 0% Success Ratio (movies rated above 6.5), Kawayan de Guia remains a reliable draw for studios. Their peak performance was recorded in The Twelve, which continues to be the benchmark for their career rating-wise.
Best Kawayan de Guia Movies Ranked
Must-watch hits from Kawayan de Guia's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Kawayan de Guia.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 2017 | BalikBayan #1: Memories of Overdevelopment Redux VI | - | Flop | Similar → |
| 2015 | Balikbayan #1: Memories of Overdevelopment Redux III | - | Flop | Similar → |
| 2000 | The Twelve | - | Flop | Similar → |
| 1996 | Japanese Summers of a Filipino Fundoshi | Kawayan de Guia | Flop | Similar → |
| N/A | Shaman Showman: The Life and Work of Roberto Villanueva | - | Flop | Similar → |
Kawayan de Guia - Frequently Asked Questions
What is the best movie of Kawayan de Guia?
According to audience ratings, the best movie starring Kawayan de Guia is "The Twelve" with a rating of 0.0/10.
How many movies has Kawayan de Guia acted in?
Kawayan de Guia has been featured in at least 5 major films throughout their career.
What are some other popular movies by Kawayan de Guia?
Other notable films include "Balikbayan #1: Memories of Overdevelopment Redux III", "BalikBayan #1: Memories of Overdevelopment Redux VI", and "Japanese Summers of a Filipino Fundoshi".




