
Lionel Hampton
ActingAbout Lionel Hampton
Lionel Leo Hampton (April 20, 1908 – August 31, 2002) was an American jazz vibraphonist, pianist, percussionist, and bandleader. Hampton worked with jazz musicians from Teddy Wilson, Benny Goodman, and Buddy Rich, to Charlie Parker, Charles Mingus, and Quincy Jones. In 1992, he was inducted into the Alabama Jazz Hall of Fame, and he was awarded the National Medal of Arts in 1996. Lionel Hampton was born in 1908 in Louisville, Kentucky, and was raised by his mother. Shortly after he was born, he and his mother moved to her hometown of Birmingham, Alabama. He spent his early childhood in Kenosha, Wisconsin, before he and his family moved to Chicago, Illinois, in 1916. As a youth, Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America, which was off-limits because of racial segregation. During the 1920s, while still a teenager, Hampton took xylophone lessons from Jimmy Bertrand and began to play drums. Hampton was raised Catholic, and started out playing fife and drum at the Holy Rosary Academy near Chicago. Lionel Hampton began his career playing drums for the Chicago Defender Newsboys' Band (led by Major N. Clark Smith) while still a teenager in Chicago. While he lived in Chicago, Hampton saw Louis Armstrong at the Vendome, remembering that the entire audience went crazy after his first solo. He moved to California in 1927 or 1928, playing drums for the Dixieland Blues-Blowers. He made his recording debut with The Quality Serenaders led by Paul Howard, then left for Culver City and drummed for the Les Hite band at Sebastian's Cotton Club. One of his trademarks as a drummer was his ability to do stunts with multiple pairs of sticks such as twirling and juggling without missing a beat. During this period, he began practicing on the vibraphone. In 1930 Louis Armstrong came to California and hired the Les Hite band for performances and recordings. Armstrong was impressed with Hampton's playing after Hampton reproduced Armstrong's solo on the vibraphone and asked him to play behind him like that during vocal choruses. So began his career as a vibraphonist, popularizing the use of the instrument in the process. Invented ten years earlier, the vibraphone is essentially a xylophone with metal bars, a sustain pedal, and resonators equipped with electric-powered fans that add tremolo. While working with the Les Hite band, Hampton also occasionally did some performing with Nat Shilkret and his orchestra. During the early 1930s, he studied music at the University of Southern California. In 1934 he led his own orchestra, and then appeared in the Bing Crosby film Pennies From Heaven (1936) alongside Louis Armstrong (wearing a mask in a scene while playing drums). Also in November 1936, the Benny Goodman Orchestra came to Los Angeles to play the Palomar Ballroom. When John Hammond brought Goodman to see Hampton perform, Goodman invited him to join his trio, which soon became the Benny Goodman Quartet with pianist Teddy Wilson and drummer Gene Krupa completing the lineup. The Trio and Quartet were among the first racially integrated jazz groups to perform before audiences, and were a leading small group of the day. ... Source: Article "Lionel Hampton" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Career Statistics & Market Influence
Analyzing the cinematic journey of Lionel Hampton reveals a career defined by diverse artistic exploration. With a total of 12 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Music
The majority of Lionel Hampton's filmography leans towards the Music genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 25% Success Ratio (movies rated above 6.5), Lionel Hampton remains a reliable draw for studios. Their peak performance was recorded in Jazz Icons: Lionel Hampton Live in '58, which continues to be the benchmark for their career rating-wise.
Best Lionel Hampton Movies Ranked
Must-watch hits from Lionel Hampton's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Lionel Hampton.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 2008 | Jazz Icons: Lionel Hampton Live in '58 | - | Super Hit | Similar → |
| 1992 | The Real Malcolm X | - | Flop | Similar → |
| 1980 | ...But Then, She's Betty Carter | Self | Average | Similar → |
| 1979 | Lionel Hampton All Star Big Band @ Berliner Jazztage 1979 | Self | Flop | Similar → |
| 1979 | No Maps on My Taps | Self | Hit | Similar → |
| 1957 | Mister Rock and Roll | Himself | Flop | Similar → |
| 1957 | America By Night | - | Flop | Similar → |
| 1956 | The Benny Goodman Story | - | Average | Similar → |
| 1955 | Rhythm and Blues Revue | Self | Average | Similar → |
| 1954 | The Glenn Miller Story | Band Member (uncredited) | Hit | Similar → |
| 1949 | Lionel Hampton and His Orchestra | Self | Flop | Similar → |
| 1948 | A Song Is Born | Lionel Hampton | Average | Similar → |
Lionel Hampton - Frequently Asked Questions
What is the best movie of Lionel Hampton?
According to audience ratings, the best movie starring Lionel Hampton is "Jazz Icons: Lionel Hampton Live in '58" with a rating of 9.0/10.
How many movies has Lionel Hampton acted in?
Lionel Hampton has been featured in at least 12 major films throughout their career.
What are some other popular movies by Lionel Hampton?
Other notable films include "No Maps on My Taps", "The Glenn Miller Story", and "A Song Is Born".




