
Marianna Pizzolato
ActingAbout Marianna Pizzolato
Marianna Pizzolato, mezzosoprano, made her debut at the Rossini Opera Festival in Pesaro with Gioachino Rossini’s “Il Viaggio a Reims”, becoming a reference performer for the main Rossini roles, as well as for Baroque and eighteenth century’s repertoire; she is now considered one of the foremost voices of our time. Marianna Pizzolato regularly sings in the most prestigious theatres and festivals in the world as Royal Opera House Covent Garden in London, Opéra National de Paris, Nikikai Opera Theatre in Tokyo, Santa Fe Opera Festival, Belcanto Opera Festival in Wildbad, Teatro de la Maestranza in Seville, Gran Teatre del Liceu in Barcelona, Opéra Royal de Wallonie in Liège, Teatro di San Carlo in Naples, Teatro Massimo in Palermo working with conductors such as Bruno Campanella, Daniele Gatti, Riccardo Muti, Antonio Pappano, Alberto Zedda just to name a few. She recorded for Emi, Virgin Classics, Dynamic, Naïve/Opus 111, Naxos, Opera Rara. Future plans include: Ludwig van Beethoven’s Ninth Symphony at the Menuhin Festival Gstaad and in Wroclaw (concert and recording) with Kammerorchester Basel under with Giovanni Antonini; Rossini’s “Tancredi” in Bremen (concert version) with Accademia Bizantina and Ottavio Dantone; Rossini’s “Stabat Mater” in Edinburgh with the Accademia di Santa Cecilia under Antonio Pappano and at the Tanglewood Festival with the Boston Symphony Orchestra under Charles Dutoit; Ernest Chausson’s “Poème de l’amour et de la mer” with the Bremen Philharmoniker in Bremen; “Il Viaggio a Reims” at Bolshoi Theatre; “La Donna del Lago” in Liège, Michele Mariotti conducting; Giuseppe Verdi’s “Falstaff” in Madrid; recitals in Rouen. In future season Marianna Pizzolato will do her awaited debut at the Metropolitan Opera in New York singing Hedwige in Rossini’s “Guillaume Tell”.
Career Statistics & Market Influence
Analyzing the cinematic journey of Marianna Pizzolato reveals a career defined by diverse artistic exploration. With a total of 6 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Music
The majority of Marianna Pizzolato's filmography leans towards the Music genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 0% Success Ratio (movies rated above 6.5), Marianna Pizzolato remains a reliable draw for studios. Their peak performance was recorded in Verdi Nabucco, which continues to be the benchmark for their career rating-wise.
Best Marianna Pizzolato Movies Ranked
Must-watch hits from Marianna Pizzolato's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Marianna Pizzolato.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 2015 | Verdi Nabucco | Fenena | Average | Similar → |
| 2014 | La Cenerentola - Royal de Wallonie-Liège | - | Flop | Similar → |
| 2011 | Rossini - Stabat Mater | Mezzo-soprano | Flop | Similar → |
| 2009 | Gioachino Rossini: Ermione | Andromaca | Flop | Similar → |
| 2009 | Rossini Zelmira | Emma | Flop | Similar → |
| 2007 | L'Italiana In Algeri - Rossini Festival | - | Flop | Similar → |
Marianna Pizzolato - Frequently Asked Questions
What is the best movie of Marianna Pizzolato?
According to audience ratings, the best movie starring Marianna Pizzolato is "Verdi Nabucco" with a rating of 6.0/10.
How many movies has Marianna Pizzolato acted in?
Marianna Pizzolato has been featured in at least 6 major films throughout their career.
What are some other popular movies by Marianna Pizzolato?
Other notable films include "Rossini - Stabat Mater", "Gioachino Rossini: Ermione", and "La Cenerentola - Royal de Wallonie-Liège".




