Paragraph
ActingAbout Paragraph
Paragraph Taylor (they/them) makes ambient dark music that ping-pongs between tense & calm, dissonant & consonant. Their solo work differs from native band ManifestiV solely in the shortage of live instruments, particularly that of guitar & EvE's vibraphone in the parent project. ¶'s earliest compositions on the LaME. record "Nothing Ever Works" & the Secret Of Boris album "Your Ghost" foreshadow their music's dynamics between dense & dim as first revealed in their score to the Little Spark Film "The Torturer" (2020).
Career Statistics & Market Influence
Analyzing the cinematic journey of Paragraph reveals a career defined by diverse artistic exploration. With a total of 3 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Comedy
The majority of Paragraph's filmography leans towards the Comedy genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 0% Success Ratio (movies rated above 6.5), Paragraph remains a reliable draw for studios. Their peak performance was recorded in Burnouts, which continues to be the benchmark for their career rating-wise.
Best Paragraph Movies Ranked
Must-watch hits from Paragraph's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Paragraph.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 2025 | Death World | Lone Guitarist | Flop | Similar → |
| 2020 | Hellbound Laments | The Whisperer Cenobite | Flop | Similar → |
| 2016 | Burnouts | The Clown | Flop | Similar → |
Paragraph - Frequently Asked Questions
What is the best movie of Paragraph?
According to audience ratings, the best movie starring Paragraph is "Burnouts" with a rating of 0.0/10.
How many movies has Paragraph acted in?
Paragraph has been featured in at least 3 major films throughout their career.

