
Ramón Roa
ActingAbout Ramón Roa
Ramón Roa is a Venezuelan and Colombian movie actor, known for his leading rol in Maisanta (2016) and Tango Bar (2022) and also for his important particitation in the multi award movie Two Autumns in Paris (2021) and Webidemic (2021).
Career Statistics & Market Influence
Analyzing the cinematic journey of Ramón Roa reveals a career defined by diverse artistic exploration. With a total of 6 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Drama
The majority of Ramón Roa's filmography leans towards the Drama genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 50% Success Ratio (movies rated above 6.5), Ramón Roa remains a reliable draw for studios. Their peak performance was recorded in Webidemic, which continues to be the benchmark for their career rating-wise.
Best Ramón Roa Movies Ranked
Must-watch hits from Ramón Roa's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Ramón Roa.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 2024 | Tango Bar | Rubén | Super Hit | Similar → |
| 2022 | Sons of the Earth | - | Flop | Similar → |
| 2021 | Webidemic | Running man | Super Hit | Similar → |
| 2019 | Two Autumns in Paris | Capitán Martinez | Hit | Similar → |
| 2017 | Más vivos que nunca | - | Flop | Similar → |
| 2016 | Maisanta | - | Flop | Similar → |
Ramón Roa - Frequently Asked Questions
What is the best movie of Ramón Roa?
According to audience ratings, the best movie starring Ramón Roa is "Webidemic" with a rating of 10.0/10.
How many movies has Ramón Roa acted in?
Ramón Roa has been featured in at least 6 major films throughout their career.
What are some other popular movies by Ramón Roa?
Other notable films include "Tango Bar", "Two Autumns in Paris", and "Sons of the Earth".




