
Timité Bassori
ActingAbout Timité Bassori
Timité Bassori is an Ivorian filmmaker, actor, and writer. His lone feature-length film, The Woman with the Knife (1969), is considered a classic of African cinema,[3] and is slated to be restored as part of the African Film Heritage Project, an initiative to preserve 50 African films through the collaboration of the groups FEPACI, UNESCO, Cineteca di Bologna, and Martin Scorsese's The Film Foundation.
Career Statistics & Market Influence
Analyzing the cinematic journey of Timité Bassori reveals a career defined by diverse artistic exploration. With a total of 2 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Documentary
The majority of Timité Bassori's filmography leans towards the Documentary genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 0% Success Ratio (movies rated above 6.5), Timité Bassori remains a reliable draw for studios. Their peak performance was recorded in Tahar Chériaa: A l'Ombre du Baobab, which continues to be the benchmark for their career rating-wise.
Best Timité Bassori Movies Ranked
Must-watch hits from Timité Bassori's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Timité Bassori.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 2014 | Tahar Chériaa: A l'Ombre du Baobab | Self | Average | Similar → |
| 2010 | The Woman with the Knife | The Man / The Man in a Tux (as Tim' Sory) | Flop | Similar → |
Timité Bassori - Frequently Asked Questions
What is the best movie of Timité Bassori?
According to audience ratings, the best movie starring Timité Bassori is "Tahar Chériaa: A l'Ombre du Baobab" with a rating of 6.0/10.
How many movies has Timité Bassori acted in?
Timité Bassori has been featured in at least 2 major films throughout their career.

