
A. Harsha
WritingAbout A. Harsha
A. Harsha is an Indian choreographer, director and writer who works predominantly in the Kannada film industry. A. Harsha started off his career choreographing songs in films before moving on to make his directorial debut in 2007 with Geleya. He then worked on Birugaali (2009) and Chingari (2012), all of which did not do that well at the box office although his fresh approach was appreciated. He changed all that with his 2013 film Bhajarangi featuring Shivarajkumar which was a massive hit. He then directed the films Vajrakaya (2015), Jai Maruthi 800 (2016) and Anjaniputra (2017) before he directed Seetharama Kalyana (2019).
Career Statistics & Market Influence
Analyzing the cinematic journey of A. Harsha reveals a career defined by diverse artistic exploration. With a total of 1 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Action
The majority of A. Harsha's filmography leans towards the Action genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 0% Success Ratio (movies rated above 6.5), A. Harsha remains a reliable draw for studios. Their peak performance was recorded in Kashi from Village, which continues to be the benchmark for their career rating-wise.
Best A. Harsha Movies Ranked
Must-watch hits from A. Harsha's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of A. Harsha.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 2005 | Kashi from Village | - | Flop | Similar → |
A. Harsha - Frequently Asked Questions
What is the best movie of A. Harsha?
According to audience ratings, the best movie starring A. Harsha is "Kashi from Village" with a rating of 0.0/10.
How many movies has A. Harsha acted in?
A. Harsha has been featured in at least 1 major films throughout their career.
