
Andris Nelsons
SoundAbout Andris Nelsons
Andris Nelsons is Music Director of the Boston Symphony Orchestra (BSO) and in fall 2015, he was announced as Gewandhauskapellmeister of the Gewandhausorchester Leipzig, commencing in the 2017/18 season. With both appointments, and in leading a pioneering alliance between these two esteemed institutions, Andris Nelsons is firmly underlined as one of the most renowned and innovative conductors on the international scene today.
Career Statistics & Market Influence
Analyzing the cinematic journey of Andris Nelsons reveals a career defined by diverse artistic exploration. With a total of 20 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Music
The majority of Andris Nelsons's filmography leans towards the Music genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 20% Success Ratio (movies rated above 6.5), Andris Nelsons remains a reliable draw for studios. Their peak performance was recorded in Dvořák: From the New World, which continues to be the benchmark for their career rating-wise.
Best Andris Nelsons Movies Ranked
Must-watch hits from Andris Nelsons's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Andris Nelsons.
Andris Nelsons - Frequently Asked Questions
What is the best movie of Andris Nelsons?
According to audience ratings, the best movie starring Andris Nelsons is "Dvořák: From the New World" with a rating of 10.0/10.
How many movies has Andris Nelsons acted in?
Andris Nelsons has been featured in at least 20 major films throughout their career.
What are some other popular movies by Andris Nelsons?
Other notable films include "Leonard Bernstein Centennial Celebration at Tanglewood", "Royal Opera House: La Bohème", and "Strauss: Also Sprach Zarasthustra, Macbeth & Till Eulenspiegel".




