
Anucha Boonyawatana
DirectingAbout Anucha Boonyawatana
Anucha Boonyawatana (Thai: อนุชา บุญยวรรธนะ) is a Thai independent filmmaker. Her thesis film, Down the River, won the Young Thai Artist Award and has been shown at several film festivals. Her first feature film, The Blue Hour, premiered at Berlinale Panorama in 2015. In 2017, she won the Best Director award at the Singapore International Film Festival for her second feature film Malila: The Farewell Flower.
Career Statistics & Market Influence
Analyzing the cinematic journey of Anucha Boonyawatana reveals a career defined by exceptional commercial consistency. With a total of 1 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Documentary
The majority of Anucha Boonyawatana's filmography leans towards the Documentary genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 100% Success Ratio (movies rated above 6.5), Anucha Boonyawatana remains a reliable draw for studios. Their peak performance was recorded in Remembering Fan Chan: Dream a Dream Again, which continues to be the benchmark for their career rating-wise.
Best Anucha Boonyawatana Movies Ranked
Must-watch hits from Anucha Boonyawatana's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Anucha Boonyawatana.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 2023 | Remembering Fan Chan: Dream a Dream Again | Self | Hit | Similar → |
Anucha Boonyawatana - Frequently Asked Questions
What is the best movie of Anucha Boonyawatana?
According to audience ratings, the best movie starring Anucha Boonyawatana is "Remembering Fan Chan: Dream a Dream Again" with a rating of 7.0/10.
How many movies has Anucha Boonyawatana acted in?
Anucha Boonyawatana has been featured in at least 1 major films throughout their career.
