
C.O. Erickson
ProductionAbout C.O. Erickson
Clarence Oscar "C. O." Erickson (December 17, 1923 – June 28, 2017) was an American film producer and production manager who had nearly 60 years of experience working in Hollywood. Born in Kankakee, Illinois on December 17, 1923, Erickson began his career at Paramount Pictures in 1944, ultimately working his way up to production manager. Among the productions he managed during his time at Paramount were all five of the films that director Alfred Hitchcock made for the studio in the 1950s: Rear Window (1954), To Catch a Thief (1955), The Trouble with Harry (1955), The Man Who Knew Too Much (1956) and Vertigo (1958). Erickson left Paramount to work with screenwriter and director John Huston as production manager on The Misfits (1961) and Freud: The Secret Passion (1962). He later reteamed with Huston as associate producer of Reflections in a Golden Eye (1967). He was also associate producer of Richard C. Sarafian's Man in the Wilderness (1971) and Roman Polanski's Chinatown (1974), both of which featured Huston in supporting acting roles. Erickson later served as both executive producer and production manager on several popular films of the 1980s and 1990s, including Urban Cowboy (1980), Fast Times at Ridgemont High (1982) and Groundhog Day (1993). He was also the executive producer of Robert Altman's Popeye (1980) and executive in charge of production of Ridley Scott's Blade Runner (1982). His later film credits included Kiss the Girls (1997), Return to Me (2000) and Windtalkers (2002). Erickson died in Las Vegas, Nevada on June 28, 2017, due to heart complications. He was 93. Description above from the Wikipedia article C.O. Erickson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Career Statistics & Market Influence
Analyzing the cinematic journey of C.O. Erickson reveals a career defined by exceptional commercial consistency. With a total of 6 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Documentary
The majority of C.O. Erickson's filmography leans towards the Documentary genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 83% Success Ratio (movies rated above 6.5), C.O. Erickson remains a reliable draw for studios. Their peak performance was recorded in Chinatown, which continues to be the benchmark for their career rating-wise.
Best C.O. Erickson Movies Ranked
Must-watch hits from C.O. Erickson's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of C.O. Erickson.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 2002 | The Making of 'To Catch a Thief' | Self | Hit | Similar → |
| 2002 | Making 'The Misfits' | Self - Production Manager | Flop | Similar → |
| 2001 | Cleopatra: The Film That Changed Hollywood | Self | Hit | Similar → |
| 1997 | Obsessed with Vertigo | Self | Hit | Similar → |
| 1993 | Groundhog Day | Bank Guard Herman | Super Hit | Similar → |
| 1974 | Chinatown | Customer | Super Hit | Similar → |
C.O. Erickson - Frequently Asked Questions
What is the best movie of C.O. Erickson?
According to audience ratings, the best movie starring C.O. Erickson is "Chinatown" with a rating of 7.9/10.
How many movies has C.O. Erickson acted in?
C.O. Erickson has been featured in at least 6 major films throughout their career.
What are some other popular movies by C.O. Erickson?
Other notable films include "Groundhog Day", "Cleopatra: The Film That Changed Hollywood", and "The Making of 'To Catch a Thief'".




