
Ed Emshwiller
DirectingAbout Ed Emshwiller
Born in 1925, Ed Emshwiller studied graphic design at the University of Michigan and L'Ecole des Beaux Arts in Paris. By the late '60s Emshwiller was working as a science fiction illustrator, and had established his place in the American avant-garde cinema with such works as Relativity (1966) and Image, Flesh and Voice (1969). His early films featured collaborations with dancers and choreographers—a theme he carried over into his videoworks. As both an artist and a teacher, Emshwiller’s pioneering efforts to develop an alternative technological language in video were enormously influential. His early experiments with synthesizers and computers included the electronic rendering of three-dimensional space, the interplay of illusion and reality, and manipulations of time, movement, and scale that explore the relationship between "external reality and subjective feelings." Emshwiller was among the first artists-in-residence at the TV Lab at WNET, where he produced the groundbreaking Scape-mates (1972). Sunstone (1979) was made over a period of eight months at the New York Institute of Technology. Emshwiller passed away in 1990 and an extensive collection of his work is housed by Anthology Film Archives.
Career Statistics & Market Influence
Analyzing the cinematic journey of Ed Emshwiller reveals a career defined by diverse artistic exploration. With a total of 10 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Documentary
The majority of Ed Emshwiller's filmography leans towards the Documentary genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 30% Success Ratio (movies rated above 6.5), Ed Emshwiller remains a reliable draw for studios. Their peak performance was recorded in Diaries, Notes, and Sketches, which continues to be the benchmark for their career rating-wise.
Best Ed Emshwiller Movies Ranked
Must-watch hits from Ed Emshwiller's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Ed Emshwiller.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 1997 | Birth of a Nation | - | Average | Similar → |
| 1985 | Home Movies 1971-81 | - | Flop | Similar → |
| 1976 | Lost, Lost, Lost | Self | Hit | Similar → |
| 1976 | Family Focus | Himself | Flop | Similar → |
| 1975 | Solstice and Solyanka | - | Flop | Similar → |
| 1973 | Notes on the Buffalo Conference: “Autobiography in American Independent Cinema” | - | Flop | Similar → |
| 1973 | Painters Painting | - | Hit | Similar → |
| 1968 | Diaries, Notes, and Sketches | Self | Hit | Similar → |
| 1966 | Galaxie | Self | Flop | Similar → |
| 1963 | Hallelujah the Hills | Gideon | Average | Similar → |
Ed Emshwiller - Frequently Asked Questions
What is the best movie of Ed Emshwiller?
According to audience ratings, the best movie starring Ed Emshwiller is "Diaries, Notes, and Sketches" with a rating of 7.4/10.
How many movies has Ed Emshwiller acted in?
Ed Emshwiller has been featured in at least 10 major films throughout their career.
What are some other popular movies by Ed Emshwiller?
Other notable films include "Lost, Lost, Lost", "Painters Painting", and "Birth of a Nation".




