
Hisayasu Satō
DirectingAbout Hisayasu Satō
Hisayasu Sato is a Japanese exploitation film director. He has worked prolifically in the pinku eiga genre. He is known for his "sledgehammer" filmmaking style, and using his exploitation career to tackle serious subjects like obsession, alienation, perversion and voyeurism. He is famous for his "guerilla shooting technique" in which his actors appear on location in public and incorporate unknowing bystanders into the film. Hisayasu Sato’s often violent but highly visual works utilised a multitude of multimedia devices to reflect upon issues such as the power of the gaze, the dehumanising effects of technology and the loss of the individual’s sense of “self” that accompanied Japan’s period of economic boom in the late 80s.
Career Statistics & Market Influence
Analyzing the cinematic journey of Hisayasu Satō reveals a career defined by diverse artistic exploration. With a total of 17 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Drama
The majority of Hisayasu Satō's filmography leans towards the Drama genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 0% Success Ratio (movies rated above 6.5), Hisayasu Satō remains a reliable draw for studios. Their peak performance was recorded in Chikan densha: Iyarashii kôi, which continues to be the benchmark for their career rating-wise.
Best Hisayasu Satō Movies Ranked
Must-watch hits from Hisayasu Satō's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Hisayasu Satō.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 2016 | Autumn | - | Flop | Similar → |
| 2015 | Japanscope, panorama de la nouvelle Nouvelle Vague | - | Flop | Similar → |
| 2006 | Cross the Lens | Self | Flop | Similar → |
| 1999 | Tokyo Elegy | Detective | Flop | Similar → |
| 1996 | I Stand Alone - SEX & LOVE | - | Flop | Similar → |
| 1993 | Chikan densha: Iyarashii kôi | Man drinking sake | Average | Similar → |
| 1987 | Groper Train: Start at the Back | Cameraman | Flop | Similar → |
| 1986 | Groper Train: Final Stop | Man groping school girl | Flop | Similar → |
| 1985 | Zetsukin gyaru: Yaruki munmun | - | Flop | Similar → |
| 1985 | Wakazuma Misshitsu Bôkô Jiken | - | Flop | Similar → |
| 1985 | Pink Physical Examination | - | Flop | Similar → |
| 1984 | Female Prisoners: Brutal Treatment | - | Flop | Similar → |
| 1984 | Hometown Porn Girl 18! Seeding Festival | - | Flop | Similar → |
| 1984 | Delivery Wife: Get Wet! | - | Flop | Similar → |
| 1983 | Crying Rope, Missing Black Hair | - | Flop | Similar → |
| 1982 | Young Wife Assault Pervert | - | Flop | Similar → |
| N/A | In The Sea of Trees | - | Flop | Similar → |
Hisayasu Satō - Frequently Asked Questions
What is the best movie of Hisayasu Satō?
According to audience ratings, the best movie starring Hisayasu Satō is "Chikan densha: Iyarashii kôi" with a rating of 5.6/10.
How many movies has Hisayasu Satō acted in?
Hisayasu Satō has been featured in at least 17 major films throughout their career.
What are some other popular movies by Hisayasu Satō?
Other notable films include "Tokyo Elegy", "I Stand Alone - SEX & LOVE", and "Groper Train: Final Stop".



