
Jonas Kavaliauskas
ActingCareer Statistics & Market Influence
Analyzing the cinematic journey of Jonas Kavaliauskas reveals a career defined by diverse artistic exploration. With a total of 8 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Drama
The majority of Jonas Kavaliauskas's filmography leans towards the Drama genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 25% Success Ratio (movies rated above 6.5), Jonas Kavaliauskas remains a reliable draw for studios. Their peak performance was recorded in The Bridge, which continues to be the benchmark for their career rating-wise.
Best Jonas Kavaliauskas Movies Ranked
Must-watch hits from Jonas Kavaliauskas's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Jonas Kavaliauskas.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 1995 | Mindaugas | Senis | Flop | Similar → |
| 1987 | Sincerity | dėstytojas | Flop | Similar → |
| 1986 | The Limit of Truth | Jemeljanovas | Flop | Similar → |
| 1981 | Raindrops | - | Flop | Similar → |
| 1980 | Dičius's Career | Glemža | Hit | Similar → |
| 1980 | The Prisoner of Second Avenue | svečias | Flop | Similar → |
| 1969 | When I Was a Child | Actor | Average | Similar → |
| 1956 | The Bridge | Tumas | Super Hit | Similar → |
Jonas Kavaliauskas - Frequently Asked Questions
What is the best movie of Jonas Kavaliauskas?
According to audience ratings, the best movie starring Jonas Kavaliauskas is "The Bridge" with a rating of 7.5/10.
How many movies has Jonas Kavaliauskas acted in?
Jonas Kavaliauskas has been featured in at least 8 major films throughout their career.
What are some other popular movies by Jonas Kavaliauskas?
Other notable films include "Dičius's Career", "When I Was a Child", and "The Prisoner of Second Avenue".




