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Karl Freund

Camera
Freshness: Jan 21, 2026
2Total Films
6.3 Highest Rated
Born: Jan 16, 1890
Birth Place: Königinhof, Bohemia, Czech Republic

About Karl Freund

​From Wikipedia, the free encyclopedia.   Karl W. Freund, A.S.C. (January 16, 1890-May 3, 1969) was a cinematographer and film director. Born in Dvůr Králové (Königinhof), Bohemia, his career began in 1905 when, at age 15, he got a job as an assistant projectionist for a film company in Berlin where his family moved in 1901. He worked as a cinematographer on over 100 films, including the German Expressionist films The Golem (1920), The Last Laugh (1924) and Metropolis (1927). Freund emigrated to the United States in 1929 where he continued to shoot well remembered films such as Dracula (1931) and Key Largo (1948). He won an Academy Award for Best Cinematography for The Good Earth (1937). In 1937, he went to Germany to bring his only daughter, Gerda Maria Freund, back to the United States, saving her from almost certain death in the concentration camps. Karl's ex-wife, Susette Freund (née Liepmannssohn), remained in Germany where she was interned at the Ravensbrück concentration camp and eventually taken in March, 1942 to Bernburg Euthanasia Center where she was murdered. Between 1921 and 1935, Freund also directed ten films, of which the best known are probably The Mummy (1932) starring Boris Karloff, and his last film as director, Mad Love (1935) starring Peter Lorre. Freund's only known film as an actor is Carl Dreyer's Michael (1924) in which he has a cameo as a sycophantic art dealer who saves the tobacco ashes dropped by a famous painter. At the beginning of the 1950s, he was persuaded by Desi Arnaz at Desilu to be the cinematographer in 1951 for the televisions series I Love Lucy. Critics have credited Freund for the show's lustrous black and white cinematography, but more importantly, Freund designed the "flat lighting" system for shooting sitcoms that is still in use today. This system covers the set in light, thus eliminating shadows and allowing the use of three moving cameras without having to modify the lighting in-between shots. And where Freund did not invent the three camera shooting system, he did perfect it for use with film cameras in front of a live audience. Freund and his production team also worked on other sitcoms produced at/through Desilu such as "Our Miss Brooks". Description above from the Wikipedia article Karl Freund, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Career Statistics & Market Influence

Analyzing the cinematic journey of Karl Freund reveals a career defined by diverse artistic exploration. With a total of 2 major appearances, the actor has established a significant footprint in global cinema.

Genre Dominance: Drama

The majority of Karl Freund's filmography leans towards the Drama genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.

The "Box Office" Signature

With a 0% Success Ratio (movies rated above 6.5), Karl Freund remains a reliable draw for studios. Their peak performance was recorded in Michael, which continues to be the benchmark for their career rating-wise.

Best Karl Freund Movies Ranked

Must-watch hits from Karl Freund's career based on audience ratings.

Complete Filmography & Success Status

Tracking the career evolution and box office verdicts of Karl Freund.

YearMovieCharacterSuccessMore
1941 You Can't Fool a Camera Himself Average Similar →
1924 Michael LeBlanc - Art Dealer Average Similar →

Karl Freund - Frequently Asked Questions

What is the best movie of Karl Freund?

According to audience ratings, the best movie starring Karl Freund is "Michael" with a rating of 6.3/10.

How many movies has Karl Freund acted in?

Karl Freund has been featured in at least 2 major films throughout their career.