Rika Hanabusa
ActingCareer Statistics & Market Influence
Analyzing the cinematic journey of Rika Hanabusa reveals a career defined by diverse artistic exploration. With a total of 6 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Thriller
The majority of Rika Hanabusa's filmography leans towards the Thriller genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 0% Success Ratio (movies rated above 6.5), Rika Hanabusa remains a reliable draw for studios. Their peak performance was recorded in The Cruel History of Prisoners, which continues to be the benchmark for their career rating-wise.
Best Rika Hanabusa Movies Ranked
Must-watch hits from Rika Hanabusa's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Rika Hanabusa.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 1976 | The Cruel History of Prisoners | Toyo | Flop | Similar → |
| 1975 | Semi-document: Môsôgaku nyûmon | - | Flop | Similar → |
| 1975 | New Widow Boarding House: Back Room for Rent | - | Flop | Similar → |
| 1975 | Chikan ryôin chikatetsu | Female employee | Flop | Similar → |
| 1975 | Toruko dai hyakka: Maruhi mei-shôbu | - | Flop | Similar → |
| 1975 | Semi-dokyumento: Meiki no kenkyû | - | Flop | Similar → |
Rika Hanabusa - Frequently Asked Questions
What is the best movie of Rika Hanabusa?
According to audience ratings, the best movie starring Rika Hanabusa is "The Cruel History of Prisoners" with a rating of 3.3/10.
How many movies has Rika Hanabusa acted in?
Rika Hanabusa has been featured in at least 6 major films throughout their career.
What are some other popular movies by Rika Hanabusa?
Other notable films include "New Widow Boarding House: Back Room for Rent", "Toruko dai hyakka: Maruhi mei-shôbu", and "Semi-document: Môsôgaku nyûmon".




