Soren Baker
ActingAbout Soren Baker
Soren Baker is an American journalist who has spent his career covering hip-hop. Best known for his six years as one of the main editors of The Source, Baker has had more than 3,500 articles published in such publications as The New York Times, Los Angeles Times, Chicago Tribune, XXL, The Source, HipHopDX, and RedBullUSA.com.
Career Statistics & Market Influence
Analyzing the cinematic journey of Soren Baker reveals a career defined by diverse artistic exploration. With a total of 3 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Documentary
The majority of Soren Baker's filmography leans towards the Documentary genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 0% Success Ratio (movies rated above 6.5), Soren Baker remains a reliable draw for studios. Their peak performance was recorded in Behind the Crime: The Nipsey Hussle Murder, which continues to be the benchmark for their career rating-wise.
Best Soren Baker Movies Ranked
Must-watch hits from Soren Baker's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Soren Baker.
| Year | Movie | Character | Success | More |
|---|---|---|---|---|
| 2023 | Behind the Crime: The Nipsey Hussle Murder | Self - Author, The History of Gangster Rap | Flop | Similar → |
| 2021 | Where We're From: Rise of L.A. Underground Hip Hop | Self | Flop | Similar → |
| 2020 | The Soundtrack of a Struggle | Himself | Flop | Similar → |
Soren Baker - Frequently Asked Questions
What is the best movie of Soren Baker?
According to audience ratings, the best movie starring Soren Baker is "Behind the Crime: The Nipsey Hussle Murder" with a rating of 0.0/10.
How many movies has Soren Baker acted in?
Soren Baker has been featured in at least 3 major films throughout their career.

