
Tathiani Sacilotto
ProductionAbout Tathiani Sacilotto
Tathiani Sacilotto started has a lawyer and after dealing for some years with extreme cases and losing faith in humanity, she later started producing films in Portugal and so it went for the past 20 years. She is the co-founder of the production companies Persona Non Grata Pictures (Portugal/Brazil) and Diálogos Atómicos (Portugal). She has produced over 30 films, including features, documentaries, and short films, producing movies that travel around the world, in festivals, cinemas and broadcasters. Tathiani is a member of the European Women's Audiovisual Network (EWA) EAVE Puentes, Producers on the Move and ACE Producers 2022/2023.
Career Statistics & Market Influence
Analyzing the cinematic journey of Tathiani Sacilotto reveals a career defined by exceptional commercial consistency. With a total of 1 major appearances, the actor has established a significant footprint in global cinema.
Genre Dominance: Comedy
The majority of Tathiani Sacilotto's filmography leans towards the Comedy genre. Audience data suggests that viewers respond most favorably to this persona, though their versatility has allowed for successful crossovers into other categories.
The "Box Office" Signature
With a 100% Success Ratio (movies rated above 6.5), Tathiani Sacilotto remains a reliable draw for studios. Their peak performance was recorded in Embargoed, which continues to be the benchmark for their career rating-wise.
Best Tathiani Sacilotto Movies Ranked
Must-watch hits from Tathiani Sacilotto's career based on audience ratings.
Complete Filmography & Success Status
Tracking the career evolution and box office verdicts of Tathiani Sacilotto.
Tathiani Sacilotto - Frequently Asked Questions
What is the best movie of Tathiani Sacilotto?
According to audience ratings, the best movie starring Tathiani Sacilotto is "Embargoed" with a rating of 10.0/10.
How many movies has Tathiani Sacilotto acted in?
Tathiani Sacilotto has been featured in at least 1 major films throughout their career.
