BUDGET$50.0M
VERDICT Disaster
金語楼の俺は殺し屋だ backdrop
VERDICT: Disaster
Expert Verified

Is 金語楼の俺は殺し屋だ a Hit or Flop? Official Box Office Record & Profit Analysis

The official verdict is out. With a worldwide gross of $30.0M, 金語楼の俺は殺し屋だ is declared a Disaster.

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Box Office Snapshot

Budget$50.0M
Box Office$30.0M
Profit / Loss -$20.0M
Return on Investment (ROI) -40%

* A movie is generally considered a "Hit" if it recovers its budget and marketing costs (approx 2x budget).

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Detailed Verdict Analysis

Detailed Financial Report

In the competitive landscape of 1960, 金語楼の俺は殺し屋だ debuted as a Comedy film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.

Collection Trajectory

The box office journey for 金語楼の俺は殺し屋だ has culminated in a worldwide gross of approximately $30.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. Despite the hype, the ticket sales faced headwinds, resulting in a total that fell short of the necessary threshold for theatrical profitability.

Profitability & Verdict

Analyzing the multiplier effect and market sentiment, 金語楼の俺は殺し屋だ navigated the competitive landscape with an audience reception score of 0/10. When weighing the production costs against the global returns, 金語楼の俺は殺し屋だ is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.

Comparables

In the context of other Comedy releases, the performance of 金語楼の俺は殺し屋だ will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1960 box office narrative.

Audience Reception

Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.

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IMDb

Unfortunately, the audience response has been largely negative.

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