
Is 1000年に一人の女子〇生から求愛を受けた担任教師は全てを捨て教え子との禁断性交に溺れた。 a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $200.0M, 1000年に一人の女子〇生から求愛を受けた担任教師は全てを捨て教え子との禁断性交に溺れた。 is declared a Blockbuster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
1000年に一人の女子〇生から求愛を受けた担任教師は全てを捨て教え子との禁断性交に溺れた。, released in 2025, entered the cinematic marketplace as a Romance film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for 1000年に一人の女子〇生から求愛を受けた担任教師は全てを捨て教え子との禁断性交に溺れた。 has culminated in a worldwide gross of approximately $200.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. This performance indicates a strong grasp of the target demographic and sustained momentum beyond the opening weekend, a hallmark of major commercial success.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, 1000年に一人の女子〇生から求愛を受けた担任教師は全てを捨て教え子との禁断性交に溺れた。 navigated the competitive landscape with an audience reception score of 9/10. When weighing the production costs against the global returns, 1000年に一人の女子〇生から求愛を受けた担任教師は全てを捨て教え子との禁断性交に溺れた。 is effectively categorized as a Blockbuster. It stands as a testament to the power of high-concept storytelling and broad audience appeal.
Comparables
In the context of other Romance releases, the performance of 1000年に一人の女子〇生から求愛を受けた担任教師は全てを捨て教え子との禁断性交に溺れた。 will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2025 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.