Is A Story of a Man Who Filled 552% of the Quota a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75.0M, A Story of a Man Who Filled 552% of the Quota is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
In the competitive landscape of 1973, A Story of a Man Who Filled 552% of the Quota debuted as a Documentary / Drama film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for A Story of a Man Who Filled 552% of the Quota has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. Although not a breakout sensation, the collection figures demonstrate a reliable performance that contributes to the studio's annual slate.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, A Story of a Man Who Filled 552% of the Quota navigated the competitive landscape with an audience reception score of 6/10. When weighing the production costs against the global returns, A Story of a Man Who Filled 552% of the Quota is effectively categorized as a Average. A solid success that demonstrates effective resource allocation and content-market fit.
Comparables
In the context of other Documentary releases, the performance of A Story of a Man Who Filled 552% of the Quota will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1973 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.