
Is Agent Cody Banks 2: Destination London a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $28.8M, Agent Cody Banks 2: Destination London is declared a Flop.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
In the competitive landscape of 2004, Agent Cody Banks 2: Destination London debuted as a Comedy / Action / Adventure / Family / Romance film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $26.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Agent Cody Banks 2: Destination London has culminated in a worldwide gross of approximately $28.8M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 11%. Despite the hype, the ticket sales faced headwinds, resulting in a total that fell short of the necessary threshold for theatrical profitability.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Agent Cody Banks 2: Destination London navigated the competitive landscape with an audience reception score of 5.6/10. When weighing the production costs against the global returns, Agent Cody Banks 2: Destination London is effectively categorized as a Flop. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
Comparables
In the context of other Comedy releases, the performance of Agent Cody Banks 2: Destination London will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2004 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.