
Is Between Eleven and Midnight a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75.0M, Between Eleven and Midnight is declared a Average.
Box Office Visualization
* A movie is generally considered a "Hit" if it recovers its budget and marketing costs (approx 2x budget).
Detailed Verdict Analysis
Detailed Financial Report
In the competitive landscape of 1949, Between Eleven and Midnight debuted as a Crime film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Between Eleven and Midnight has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. Although not a breakout sensation, the collection figures demonstrate a reliable performance that contributes to the studio's annual slate.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Between Eleven and Midnight navigated the competitive landscape with an audience reception score of 6.7/10. When weighing the production costs against the global returns, Between Eleven and Midnight is effectively categorized as a Average. This performance validates the commercial viability of the genre and the star power involved.
Comparables
In the context of other Crime releases, the performance of Between Eleven and Midnight will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1949 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.