Is Bezerra de Menezes: O Diário de um Espírito a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $1.9M, Bezerra de Menezes: O Diário de um Espírito is declared a Flop.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Marking its arrival in 2008, Bezerra de Menezes: O Diário de um Espírito positioned itself as a Drama / History film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $2.5M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Bezerra de Menezes: O Diário de um Espírito has culminated in a worldwide gross of approximately $1.9M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -22%. Despite the hype, the ticket sales faced headwinds, resulting in a total that fell short of the necessary threshold for theatrical profitability.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Bezerra de Menezes: O Diário de um Espírito navigated the competitive landscape with an audience reception score of 5.4/10. When weighing the production costs against the global returns, Bezerra de Menezes: O Diário de um Espírito is effectively categorized as a Flop. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
Comparables
In the context of other Drama releases, the performance of Bezerra de Menezes: O Diário de um Espírito will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2008 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.