
Is Carl Gustav, the Gang and the Parking Bandits a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30.0M, Carl Gustav, the Gang and the Parking Bandits is declared a Disaster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
In the competitive landscape of 1982, Carl Gustav, the Gang and the Parking Bandits debuted as a Family / Adventure / Mystery film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Carl Gustav, the Gang and the Parking Bandits has culminated in a worldwide gross of approximately $30.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The underwhelming numbers suggest a disconnect with the intended audience, limiting the film's potential for a long theatrical life.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Carl Gustav, the Gang and the Parking Bandits navigated the competitive landscape with an audience reception score of 3.8/10. When weighing the production costs against the global returns, Carl Gustav, the Gang and the Parking Bandits is effectively categorized as a Disaster. This result will likely prompt a re-evaluation of budget strategies for similar genre entries moving forward.
Comparables
In the context of other Family releases, the performance of Carl Gustav, the Gang and the Parking Bandits will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1982 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.