
Is Children of the Corn II: The Final Sacrifice a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $7.0M, Children of the Corn II: The Final Sacrifice is declared a Blockbuster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Marking its arrival in 1992, Children of the Corn II: The Final Sacrifice positioned itself as a Horror film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $900.0K. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Children of the Corn II: The Final Sacrifice has culminated in a worldwide gross of approximately $7.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 676%. This performance indicates a strong grasp of the target demographic and sustained momentum beyond the opening weekend, a hallmark of major commercial success.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Children of the Corn II: The Final Sacrifice navigated the competitive landscape with an audience reception score of 4.8/10. When weighing the production costs against the global returns, Children of the Corn II: The Final Sacrifice is effectively categorized as a Blockbuster. This result solidifies the film's place as a significant earner in the yearly box office rankings.
Comparables
In the context of other Horror releases, the performance of Children of the Corn II: The Final Sacrifice will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1992 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.