Is Cinéastes de notre temps : Erich von Stroheim a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30.0M, Cinéastes de notre temps : Erich von Stroheim is declared a Disaster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Marking its arrival in 2012, Cinéastes de notre temps : Erich von Stroheim positioned itself as a Documentary film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Cinéastes de notre temps : Erich von Stroheim has culminated in a worldwide gross of approximately $30.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The underwhelming numbers suggest a disconnect with the intended audience, limiting the film's potential for a long theatrical life.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Cinéastes de notre temps : Erich von Stroheim navigated the competitive landscape with an audience reception score of 5/10. When weighing the production costs against the global returns, Cinéastes de notre temps : Erich von Stroheim is effectively categorized as a Disaster. The outcome highlights the risks involved in big-budget filmmaking when audience alignment is missed.
Comparables
In the context of other Documentary releases, the performance of Cinéastes de notre temps : Erich von Stroheim will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2012 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.