Is Count Ulrich II of Celje and Ladislaus Hunyadi a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30.0M, Count Ulrich II of Celje and Ladislaus Hunyadi is declared a Disaster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
In the competitive landscape of 1911, Count Ulrich II of Celje and Ladislaus Hunyadi debuted as a Documentary film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Count Ulrich II of Celje and Ladislaus Hunyadi has culminated in a worldwide gross of approximately $30.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The underwhelming numbers suggest a disconnect with the intended audience, limiting the film's potential for a long theatrical life.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Count Ulrich II of Celje and Ladislaus Hunyadi navigated the competitive landscape with an audience reception score of 4/10. When weighing the production costs against the global returns, Count Ulrich II of Celje and Ladislaus Hunyadi is effectively categorized as a Disaster. It serves as an analytical benchmark for the complexities of modern theatrical distribution and evolving viewer preferences.
Comparables
In the context of other Documentary releases, the performance of Count Ulrich II of Celje and Ladislaus Hunyadi will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1911 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.