
Is Crimson Rivers II: Angels of the Apocalypse a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $40.2M, Crimson Rivers II: Angels of the Apocalypse is declared a Flop.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Crimson Rivers II: Angels of the Apocalypse, released in 2004, entered the cinematic marketplace as a Action / Thriller / Crime film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Crimson Rivers II: Angels of the Apocalypse has culminated in a worldwide gross of approximately $40.2M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -20%. The collection trajectory points to a challenging market response, where the theatrical gross struggled to clear the traditional break-even multiplier required for production and marketing recovery.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Crimson Rivers II: Angels of the Apocalypse navigated the competitive landscape with an audience reception score of 6.1/10. When weighing the production costs against the global returns, Crimson Rivers II: Angels of the Apocalypse is effectively categorized as a Flop. This result will likely prompt a re-evaluation of budget strategies for similar genre entries moving forward.
Comparables
In the context of other Action releases, the performance of Crimson Rivers II: Angels of the Apocalypse will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2004 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.