Is Depeche Mode: 1985–86 “The Songs Aren't Good Enough, There Aren't Any Singles and It'll Never Get Played on the Radio” a Hit or Flop? Official Box Office Record & Profit Analysis

Detailed Financial Report

Marking its arrival in 2006, Depeche Mode: 1985–86 “The Songs Aren't Good Enough, There Aren't Any Singles and It'll Never Get Played on the Radio” positioned itself as a Documentary / Music film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.

Collection Trajectory

The box office journey for Depeche Mode: 1985–86 “The Songs Aren't Good Enough, There Aren't Any Singles and It'll Never Get Played on the Radio” has culminated in a worldwide gross of approximately $200.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. Such a robust financial display underscores the film's broad appeal and effective marketing campaign.

Profitability & Verdict

Analyzing the multiplier effect and market sentiment, Depeche Mode: 1985–86 “The Songs Aren't Good Enough, There Aren't Any Singles and It'll Never Get Played on the Radio” navigated the competitive landscape with an audience reception score of 7.5/10. When weighing the production costs against the global returns, Depeche Mode: 1985–86 “The Songs Aren't Good Enough, There Aren't Any Singles and It'll Never Get Played on the Radio” is effectively categorized as a Blockbuster. It stands as a testament to the power of high-concept storytelling and broad audience appeal.

Comparables

In the context of other Documentary releases, the performance of Depeche Mode: 1985–86 “The Songs Aren't Good Enough, There Aren't Any Singles and It'll Never Get Played on the Radio” will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2006 box office narrative.