
Is Doraemon: Nobita and the Birth of Japan a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $31.4M, Doraemon: Nobita and the Birth of Japan is declared a Flop.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
In the competitive landscape of 1989, Doraemon: Nobita and the Birth of Japan debuted as a Animation / Adventure / Family / Fantasy / Science Fiction film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Doraemon: Nobita and the Birth of Japan has culminated in a worldwide gross of approximately $31.4M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -37%. Despite the hype, the ticket sales faced headwinds, resulting in a total that fell short of the necessary threshold for theatrical profitability.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Doraemon: Nobita and the Birth of Japan navigated the competitive landscape with an audience reception score of 6.7/10. When weighing the production costs against the global returns, Doraemon: Nobita and the Birth of Japan is effectively categorized as a Flop. This result will likely prompt a re-evaluation of budget strategies for similar genre entries moving forward.
Comparables
In the context of other Animation releases, the performance of Doraemon: Nobita and the Birth of Japan will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1989 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.