Is Emo Philips Live! At the Hasty Pudding Theatre a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $200.0M, Emo Philips Live! At the Hasty Pudding Theatre is declared a Blockbuster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Marking its arrival in 1987, Emo Philips Live! At the Hasty Pudding Theatre positioned itself as a Comedy film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Emo Philips Live! At the Hasty Pudding Theatre has culminated in a worldwide gross of approximately $200.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. The numbers reflect a powerful connection with audiences, translating into a box office run that exceeded initial studio projections.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Emo Philips Live! At the Hasty Pudding Theatre navigated the competitive landscape with an audience reception score of 10/10. When weighing the production costs against the global returns, Emo Philips Live! At the Hasty Pudding Theatre is effectively categorized as a Blockbuster. A resounding victory for the filmmakers, proving that quality content resonates with paying audiences.
Comparables
In the context of other Comedy releases, the performance of Emo Philips Live! At the Hasty Pudding Theatre will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1987 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.