Is Framed Youth: The Revenge of the Teenage Perverts a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30.0M, Framed Youth: The Revenge of the Teenage Perverts is declared a Disaster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Marking its arrival in 1983, Framed Youth: The Revenge of the Teenage Perverts positioned itself as a Documentary film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Framed Youth: The Revenge of the Teenage Perverts has culminated in a worldwide gross of approximately $30.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. Despite the hype, the ticket sales faced headwinds, resulting in a total that fell short of the necessary threshold for theatrical profitability.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Framed Youth: The Revenge of the Teenage Perverts navigated the competitive landscape with an audience reception score of 2.3/10. When weighing the production costs against the global returns, Framed Youth: The Revenge of the Teenage Perverts is effectively categorized as a Disaster. The outcome highlights the risks involved in big-budget filmmaking when audience alignment is missed.
Comparables
In the context of other Documentary releases, the performance of Framed Youth: The Revenge of the Teenage Perverts will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1983 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.