Is Gackt Live Tour 2005 DIABOLOS -Aien no Shi to Seiya no Namida a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75.0M, Gackt Live Tour 2005 DIABOLOS -Aien no Shi to Seiya no Namida is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Marking its arrival in 2006, Gackt Live Tour 2005 DIABOLOS -Aien no Shi to Seiya no Namida positioned itself as a Music film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Gackt Live Tour 2005 DIABOLOS -Aien no Shi to Seiya no Namida has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. Although not a breakout sensation, the collection figures demonstrate a reliable performance that contributes to the studio's annual slate.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Gackt Live Tour 2005 DIABOLOS -Aien no Shi to Seiya no Namida navigated the competitive landscape with an audience reception score of 5.7/10. When weighing the production costs against the global returns, Gackt Live Tour 2005 DIABOLOS -Aien no Shi to Seiya no Namida is effectively categorized as a Average. A solid success that demonstrates effective resource allocation and content-market fit.
Comparables
In the context of other Music releases, the performance of Gackt Live Tour 2005 DIABOLOS -Aien no Shi to Seiya no Namida will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2006 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.