Is Germany Awakens - A Document of the Rebirth of Germany a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75.0M, Germany Awakens - A Document of the Rebirth of Germany is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Germany Awakens - A Document of the Rebirth of Germany, released in 1933, entered the cinematic marketplace as a Documentary film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Germany Awakens - A Document of the Rebirth of Germany has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. Although not a breakout sensation, the collection figures demonstrate a reliable performance that contributes to the studio's annual slate.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Germany Awakens - A Document of the Rebirth of Germany navigated the competitive landscape with an audience reception score of 6.3/10. When weighing the production costs against the global returns, Germany Awakens - A Document of the Rebirth of Germany is effectively categorized as a Average. It delivers a respectable return, ensuring confidence in future projects of similar scale.
Comparables
In the context of other Documentary releases, the performance of Germany Awakens - A Document of the Rebirth of Germany will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1933 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.