
Is Go! Anpanman: Tears of the Mermaid Princess a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $200.0M, Go! Anpanman: Tears of the Mermaid Princess is declared a Blockbuster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Marking its arrival in 2000, Go! Anpanman: Tears of the Mermaid Princess positioned itself as a Family / Animation / Fantasy film aiming for mass appeal. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Go! Anpanman: Tears of the Mermaid Princess has culminated in a worldwide gross of approximately $200.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. This performance indicates a strong grasp of the target demographic and sustained momentum beyond the opening weekend, a hallmark of major commercial success.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Go! Anpanman: Tears of the Mermaid Princess navigated the competitive landscape with an audience reception score of 8/10. When weighing the production costs against the global returns, Go! Anpanman: Tears of the Mermaid Princess is effectively categorized as a Blockbuster. A resounding victory for the filmmakers, proving that quality content resonates with paying audiences.
Comparables
In the context of other Family releases, the performance of Go! Anpanman: Tears of the Mermaid Princess will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2000 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.