Is Harry Knuckles and the Treasure of the Aztec Mummy a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75.0M, Harry Knuckles and the Treasure of the Aztec Mummy is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Harry Knuckles and the Treasure of the Aztec Mummy, released in 1999, entered the cinematic marketplace as a Comedy / Adventure / Action / Horror film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Harry Knuckles and the Treasure of the Aztec Mummy has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. The box office returns point to a steady but unspectacular run, with the film performing adequately within its genre expectations.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Harry Knuckles and the Treasure of the Aztec Mummy navigated the competitive landscape with an audience reception score of 6.9/10. When weighing the production costs against the global returns, Harry Knuckles and the Treasure of the Aztec Mummy is effectively categorized as a Average. A solid success that demonstrates effective resource allocation and content-market fit.
Comparables
In the context of other Comedy releases, the performance of Harry Knuckles and the Treasure of the Aztec Mummy will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1999 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.