Is La Conquista del Mundo, Fernando de Magallanes. a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75.0M, La Conquista del Mundo, Fernando de Magallanes. is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
In the competitive landscape of 2014, La Conquista del Mundo, Fernando de Magallanes. debuted as a Documentary film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for La Conquista del Mundo, Fernando de Magallanes. has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. Although not a breakout sensation, the collection figures demonstrate a reliable performance that contributes to the studio's annual slate.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, La Conquista del Mundo, Fernando de Magallanes. navigated the competitive landscape with an audience reception score of 7/10. When weighing the production costs against the global returns, La Conquista del Mundo, Fernando de Magallanes. is effectively categorized as a Average. This performance validates the commercial viability of the genre and the star power involved.
Comparables
In the context of other Documentary releases, the performance of La Conquista del Mundo, Fernando de Magallanes. will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2014 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.