Detailed collection report
Is Martin Luther King and the March on Washington a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $200.0M, Martin Luther King and the March on Washington is declared a Blockbuster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Martin Luther King and the March on Washington, released in 2013, entered the cinematic marketplace as a Documentary / TV Movie film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Martin Luther King and the March on Washington has culminated in a worldwide gross of approximately $200.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. The numbers reflect a powerful connection with audiences, translating into a box office run that exceeded initial studio projections.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Martin Luther King and the March on Washington navigated the competitive landscape with an audience reception score of 10/10. When weighing the production costs against the global returns, Martin Luther King and the March on Washington is effectively categorized as a Blockbuster. This result solidifies the film's place as a significant earner in the yearly box office rankings.
Comparables
In the context of other Documentary releases, the performance of Martin Luther King and the March on Washington will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2013 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.