Is Mylène Farmer: Pourvu qu'elles soient douces (Libertine II) a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $200.0M, Mylène Farmer: Pourvu qu'elles soient douces (Libertine II) is declared a Blockbuster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Mylène Farmer: Pourvu qu'elles soient douces (Libertine II), released in 1988, entered the cinematic marketplace as a Music / Romance / History film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Mylène Farmer: Pourvu qu'elles soient douces (Libertine II) has culminated in a worldwide gross of approximately $200.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. Such a robust financial display underscores the film's broad appeal and effective marketing campaign.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Mylène Farmer: Pourvu qu'elles soient douces (Libertine II) navigated the competitive landscape with an audience reception score of 7.2/10. When weighing the production costs against the global returns, Mylène Farmer: Pourvu qu'elles soient douces (Libertine II) is effectively categorized as a Blockbuster. A resounding victory for the filmmakers, proving that quality content resonates with paying audiences.
Comparables
In the context of other Music releases, the performance of Mylène Farmer: Pourvu qu'elles soient douces (Libertine II) will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1988 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.