
Is Perry Mason: The Case of the Avenging Ace a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $200.0M, Perry Mason: The Case of the Avenging Ace is declared a Blockbuster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
In the competitive landscape of 1988, Perry Mason: The Case of the Avenging Ace debuted as a Mystery / Drama / Crime / TV Movie film with significant commercial expectations. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Perry Mason: The Case of the Avenging Ace has culminated in a worldwide gross of approximately $200.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. The numbers reflect a powerful connection with audiences, translating into a box office run that exceeded initial studio projections.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Perry Mason: The Case of the Avenging Ace navigated the competitive landscape with an audience reception score of 7.1/10. When weighing the production costs against the global returns, Perry Mason: The Case of the Avenging Ace is effectively categorized as a Blockbuster. It stands as a testament to the power of high-concept storytelling and broad audience appeal.
Comparables
In the context of other Mystery releases, the performance of Perry Mason: The Case of the Avenging Ace will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1988 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.