Detailed collection report

Is Pulp: F.E.E.L.I.N.G.C.A.L.L.E.D.L.I.V.E. a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $200.0M, Pulp: F.E.E.L.I.N.G.C.A.L.L.E.D.L.I.V.E. is declared a Blockbuster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Pulp: F.E.E.L.I.N.G.C.A.L.L.E.D.L.I.V.E., released in 1995, entered the cinematic marketplace as a Music / Documentary film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Pulp: F.E.E.L.I.N.G.C.A.L.L.E.D.L.I.V.E. has culminated in a worldwide gross of approximately $200.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. This performance indicates a strong grasp of the target demographic and sustained momentum beyond the opening weekend, a hallmark of major commercial success.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Pulp: F.E.E.L.I.N.G.C.A.L.L.E.D.L.I.V.E. navigated the competitive landscape with an audience reception score of 8.5/10. When weighing the production costs against the global returns, Pulp: F.E.E.L.I.N.G.C.A.L.L.E.D.L.I.V.E. is effectively categorized as a Blockbuster. It stands as a testament to the power of high-concept storytelling and broad audience appeal.
Comparables
In the context of other Music releases, the performance of Pulp: F.E.E.L.I.N.G.C.A.L.L.E.D.L.I.V.E. will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1995 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.