Detailed collection report
![[REC]: Horror Without Pause backdrop](https://image.tmdb.org/t/p/w1280/e5ZMGCPw4HWhA56LD3wqVlmSz3g.jpg)
Is [REC]: Horror Without Pause a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $75.0M, [REC]: Horror Without Pause is declared a Average.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
[REC]: Horror Without Pause, released in 2022, entered the cinematic marketplace as a Documentary film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for [REC]: Horror Without Pause has culminated in a worldwide gross of approximately $75.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 50%. While the film found its footing, the margins suggest a moderate transition from theatrical exhibition to overall profitability, likely relying on secondary revenue streams.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, [REC]: Horror Without Pause navigated the competitive landscape with an audience reception score of 6.9/10. When weighing the production costs against the global returns, [REC]: Horror Without Pause is effectively categorized as a Average. This performance validates the commercial viability of the genre and the star power involved.
Comparables
In the context of other Documentary releases, the performance of [REC]: Horror Without Pause will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2022 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.