Is Rerberg and Tarkovsky. The Reverse Side of 'Stalker' a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $30.0M, Rerberg and Tarkovsky. The Reverse Side of 'Stalker' is declared a Disaster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Rerberg and Tarkovsky. The Reverse Side of 'Stalker', released in 2009, entered the cinematic marketplace as a Documentary film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Rerberg and Tarkovsky. The Reverse Side of 'Stalker' has culminated in a worldwide gross of approximately $30.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of -40%. The underwhelming numbers suggest a disconnect with the intended audience, limiting the film's potential for a long theatrical life.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Rerberg and Tarkovsky. The Reverse Side of 'Stalker' navigated the competitive landscape with an audience reception score of 4.3/10. When weighing the production costs against the global returns, Rerberg and Tarkovsky. The Reverse Side of 'Stalker' is effectively categorized as a Disaster. The outcome highlights the risks involved in big-budget filmmaking when audience alignment is missed.
Comparables
In the context of other Documentary releases, the performance of Rerberg and Tarkovsky. The Reverse Side of 'Stalker' will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 2009 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.