Is Ry Cooder & David Lindley: Live at the Fillmore Auditorium a Hit or Flop? Official Box Office Record & Profit Analysis
The official verdict is out. With a worldwide gross of $200.0M, Ry Cooder & David Lindley: Live at the Fillmore Auditorium is declared a Blockbuster.
Box Office Snapshot
Detailed Verdict Analysis
Detailed Financial Report
Ry Cooder & David Lindley: Live at the Fillmore Auditorium, released in 1994, entered the cinematic marketplace as a Music film. The production path for this project involved significant capital, with a reported budget of approximately $50.0M. In the modern film economy, recovering such an investment requires a multifaceted theatrical strategy spanning domestic and international territories.
Collection Trajectory
The box office journey for Ry Cooder & David Lindley: Live at the Fillmore Auditorium has culminated in a worldwide gross of approximately $200.0M. This figure represents the total theatrical footprint, reflecting a Return on Investment (ROI) of 300%. Such a robust financial display underscores the film's broad appeal and effective marketing campaign.
Profitability & Verdict
Analyzing the multiplier effect and market sentiment, Ry Cooder & David Lindley: Live at the Fillmore Auditorium navigated the competitive landscape with an audience reception score of 10/10. When weighing the production costs against the global returns, Ry Cooder & David Lindley: Live at the Fillmore Auditorium is effectively categorized as a Blockbuster. It stands as a testament to the power of high-concept storytelling and broad audience appeal.
Comparables
In the context of other Music releases, the performance of Ry Cooder & David Lindley: Live at the Fillmore Auditorium will likely influence how studios approach similar projects in the future. Whether through its innovative visual style or its narrative choices, the film's financial footprint remains a key piece of the 1994 box office narrative.
Audience Reception
Apart from the financial numbers, the audience sentiment plays a crucial role. Not all box office hits are loved, and not all flops are bad movies.